Out of Blue Water

This film (drama)Also known as走出蓝水河，is aMainland ChinaProducerbeauty live，At2003Released in year 。The dialogue language isMandarin，Current Douban rating7.3(For reference only)。

"Out of Blue Water" tells the story of the human and social living conditions in a specific historical context in China, spanning different historical periods from the Republic of China to the Anti-Japanese War. It unfolds gently with profound meaning, conveying the essence of human nature. The renowned director Chen Jialin, known for films like "Nurhaci," "Tang Minghuang," "Taiping Heavenly Kingdom," and "Kangxi Empire," serves as the chief director of this drama. After reading the script, Chen Jialin was very excited, stating, "This drama has a strong narrative and distinctive characters, making it an exceptionally rare good work in recent years. If filmed well, it can fundamentally change the current state of TV dramas and has pioneering significance." Chen Jialin's experience in directing historical dramas and his ability to grasp the overall style of a work are indisputable. He intends to construct the drama's appearance of "Out of Blue Water" using a narrative epic style combined with lyrical elements, emphasizing a tone that is heavy, grand, vigorous, and imbued with classical romanticism, by framing numerous small events under a major incident. Young director Ping Jiang Suo Jin takes on the directorial role. As a renowned painter and art critic, Ping Jiang has his own creative ideals—he emphasizes the reproduction of "truth, goodness, and beauty," advocating for a soul-guided artistic direction, imbuing the work with a rich Chinese literary color, thereby fulfilling the essence of "Out of Blue Water." The scenes of this film are all shot on location, abandoning the studio model; the styling, costumes, props, lighting, and even character names are all depicted and recreated using slightly exaggerated artistic techniques that carry symbolic meaning. All calligraphy and paintings in the scenes are genuine, showcasing the work's antiquity and imagination. The filming method is delicate and rich in character, fully expressing the film's profound beauty in its imperfections. In a cinematic landscape not lacking in mediocrity, this effort stands out as arduous, with Hongxin Culture, together with its nascent "Out of Blue Water," vowing to be the dark horse that breaks through confusion. The cast of this drama is strong and exciting, featuring renowned performing artist Siqin Gaowa and Li Jianqun, who will play the characters of the mother camel and Yumei in Ouyang's courtyard, continuing the mother-in-law and daughter-in-law relationship reminiscent of "Kangxi Empire." Siqin Gaowa, born on the grasslands, possesses neither the flamboyance of "Hero of the Wasteland" nor the roughness of "The Mongols." Instead, she is simple, magnanimous, and graceful; from her, we can feel a strong, warm maternal essence. From "Camel Xiangzi," "Xianghun Nü," "Heavenly Kingdom Prodigal Sons," "Party Member Erlengma," "Sunset over the Forbidden City," to "Da Zhai Men," "Kangxi Dynasty," as an outstanding actress in Chinese cinema, Siqin Gaowa has received countless honors. While many of her contemporaries have gradually faded, she continues to maintain vibrant creative energy, frequently presenting new works and constantly surprising and delighting audiences. The artistic images created by Siqin Gaowa not only resemble but emphasize an essence; her portrayal of the mother camel in "Out of Blue Water" is an unprecedented feudal female image—hardworking, brave, fiery, yet burdened by harsh inevitabilities and the tragic beauty of happiness. Each person is but a grain in the vast sea, and the actor, through their creation, emanates a revelation, a validation, a baptism. Li Jianqun, as a costume designer, is versatile and enjoys a reputable status in costume design, also delivering excellent performances. She played Concubine Rong in "Kangxi Empire," a loyal follower of Emperor Kangxi, enduring a tumultuous fate while being kind and wise— a shining pearl in the corridor of Chinese classical female characters. With roles like Xu Caigen in "Wu Zetian," Su San in "Taiping Heavenly Kingdom," Meizang Heiyun in "Helan Snow," and Mrs. Qin in "Diao Chan," Li Jianqun has focused and clarity on her journey until she joined the "Out of Blue Water" team. Ouyang's eldest son's original wife, Yumei, is a typical tragic figure under the feudal system—weak yet burdened, yearning for a better life, bearing some similarities to Concubine Rong. Li Jianqun's casting in this role might be coincidental, or perhaps Chen Jialin and Ping Jiang Suo Jin were drawn to her restrained, poignant appearance and her understanding of moral righteousness. Additionally, Li Jianqun is responsible for the costume design of this drama. With her cleverness and skill, she excels in designing, cutting, dyeing, and aging costumes, accomplishing the costume tasks for many major dramas like "Taiping Heavenly Kingdom," "Kangxi Empire," and "Diao Chan." She will, as always, showcase her talent in "Out of Blue Water." The cast also includes popular stars Ma Qianshan, Qiangzi, and Dai Rao, among others. Ma Qianshan, a graduate of the Vocal Department of the China Conservatory of Music, plays Ouyang's third-generation young lady, Pearl, who is a bold woman unafraid of authority in pursuit of love. She gained fame both domestically and internationally for "A First Intimate Contact" with her song "Light Dance." Ma Qianshan, a talented young lady, composed the theme song and ending song for the film "Soul in Qinhuai," and also performed the theme song for "A First Intimate Contact." Her first solo album is set to be released at the end of 2002. While "Light Dance" and Liu Rushi are ethereal characters, Pearl is a bright shade buried in the earth. How to manage such contrasting roles and carve out another type of character will be a challenge in Ma Qianshan's creative journey. The character Ouyang Lan, present throughout the play, is a unique character with a very complex personality and a background full of shadows. Given the high difficulty of constructing this role, investors and creators were cautious in selecting the most appropriate candidate. After a mysterious wait, Tan Yang came to the forefront. A graduate of the Shanghai Theatre Academy's acting department, Tan Yang has left a deep impression in works like "Dream of the Republic" and "Inside and Outside the Siege." Recently, in the completed "Qingyi," he performed alongside Xu Fan, playing the Peking opera actor Qiao Bingzhang, a character with multiple characteristics across eras, deftly handled by Tan Yang, who has a background in opera. If the vast Northern land nurtured Qiao Bingzhang's unrestrained and noble spirit, then the heavy expanse of "Out of Blue Water" will provide Ouyang Lan with a mix of solitude and burning passion. Dai Rao, having just completed her theatrical work "New Beijing People," shared her creative vision for the character Xingzi with the producer and director, expressing her deep affection for this character. Living in tumultuous times, Xingzi embodies the typical strength and softness of Chinese women of the old days. After eight years in the industry, Dai Rao has won the title at the Chinese Youth Singer电视大奖赛; the popular song "In the Story" from "Prime Minister Liu Luoguo" featured her vocals, earning her a reputation for singing themes of shows. In recent years, Dai Rao expanded her market overseas, including Japan and Taiwan, with albums like "Heart Soaring" and "Thoughts Like Tide." After honing her performing skills through titles like "Cixi's West Journey," "Kangxi Disguised Visits," and "Joyful Dance," Dai Rao looks forward to the transformation of new roles. Another female lead, Chen Xi, is currently a third-year student at the Central Academy of Drama, and with such a powerful lineup, she is bound to stand out. Additionally, the "Out of Blue Water" team will introduce a batch of academically trained, outstanding newcomers to take on key roles in the drama. This drama also received strong support from various experts and scholars in the arts community; Mr. Shen Peng, chairman of the China Calligraphers Association, personally inscribed the title of the film. This story, reflecting the goodness of humanity, showcases our concerns for life through its cultural understanding and substantial texture, allowing for a natural exchange with friends.