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Silver Planet

Silver Planet

Sci-Fi, Adventure

Andrzej Żuławski

Andrzej Seweryn, Jerzy Trela, Grazyna Dylag, Waldemar Kownacki, Iwona Bielska, Jerzy Grolik, Elzbieta Karkoshka, Kristyna Yanda, Maciej Gulaj, Henryk Talar, Leszek Dlugosz, Jean-François, Henryk Bista, Wieslaw Komasa, Jerzy Gorinski

1988

Poland

Film review analysis↗

Completed

Polish

166 minutes

2025-02-20 02:06:55

Detailed introduction

This film (drama)Also known asNa srebrnym globie,is aPolandProducerwomen sex,At1988Released in year 。The dialogue language isPolish,Current Douban rating7.7(For reference only)。
Adapted from the sci-fi novel masterpiece "The Lunar Trilogy" by Uncle Jerzy Zulawski, the story describes humanity fleeing the doomed Earth, with a spaceship crashing onto the Silver Planet. Soon after, a movement of deification begins on the planet, leading to a division among the followers: one faction worships the alien regime as a god, while the other sees it as a demon. The inherent greed in human nature is laid bare on this planet... This film has been hailed as "a movie made for people from another world." Critics unanimously praise this film as the most historical, ambitious, and postmodern philosophical sci-fi film of director Andrzej Żuławski’s career, and it stands as his representative work upon returning to his homeland of Poland. This controversial masterpiece sees Andrzej convey his beloved theme in a highly stylized and primal manner: a postmodern fable. In the end, Earthlings not only change internally but also gradually transform externally into a hybrid species between humans and birds. This metaphor of transformation from within to becoming another species adds a fantastical color to this politically allegorical sci-fi epic. In 1977, when the film was about 80% complete, the newly appointed Polish Undersecretary of Culture banned its filming, ordering the destruction of sets, props, and costumes. Only after Poland's democratization in 1986 did the film emerge alongside other banned films. This film also unveiled the potential of Cannes Best Actress Kristyna Yanda; shortly after filming her debut, she became the favorite actress of Kieslowski and Wajda, and a national icon in Poland.