Turumba

This film (drama)Also known asTurumba，is aPhilippinesProducerwomen sex，At1981Released in year 。The dialogue language isFilipino, Tagalog,，Current Douban rating0.0(For reference only)。

Kidlat Tahimik's second film "Turumba" (Kidlat Kulog Productions, 1983) provides a virtual textbook that demonstrates the penetration of capital into a traditional village and the transformation of collective relationships through market and monetary relations. The symbolic process of this is the impact of cash relations on the religious rituals indicated by the film's title, opening up the changes brought by the production company for the market. In this festival, things that are separated in modern society as culture and religion have not yet been divided; the beautiful tourists—the Western public of Turumba—can still gaze and reconstruct behind the intervention of the camera and its travelogue language. Thus, one can already enumerate the formal elements that will be more ambitiously deployed and developed in "Mababangong Bangungot" (1977). A secondary symbolism marks the cooperation of this cooperative choice, including the acknowledgment and flaunting of the inauthenticity of the Western audience and general travelogues. Here, handicrafts serve as a medium that never changes and has already been irreversibly altered beyond recognition. A German female tourist cherishes some decorations used in the festival and orders more. The family and then the village itself must recruit gradually to mass-produce these items, ultimately undermining the village's cyclical or ritualistic times, preventing waste from being prioritized by more organizers regarding the source objects of the festival. Romy and his son Cardo (Homer Abiad) were sent to Europe to attend the 1972 Munich Olympics, where the Third World visited the First World right before being hit hard by it, aligning with Kidlat's aesthetics.